Here is a small sample of my screenwriting work taken from a few different screenplays.
Some of the scenes come from scripts that have already been produced into feature length movies, short films, or episodic format, while others have yet to see the light of day.
Click here to open a PDF sample of my work as a freelance screenwriter.
My friend Ugo once told me a story. It was 1961, the year he turned eighteen. It was a time when getting out of Argentina wasn’t easy, especially for a kid prone to getting into trouble with the law. Ugo never told me exactly how his obsession with Rudolph Valentino had begun. I suspect it was because Valentino was the only man his mother ever allowed herself to admire. She had raised him on her own with the dignity of a catholic widow, somber and always wearing black. Remarrying was never an option so she enlisted the local priest to impart a strict education to her son. Ugo would have none of it and as soon as he was out of their sight, he would get into all sorts of mischief. His obsession with “the movies” was his ticket out of a dead-end job or a life behind bars. For as much as she hated to see him go, the fear of what could happen if he had stayed was enough to make sure he was given a chance. With the help of a family friend, Ugo was able to set-up a meeting at the American Embassy to be considered for a visa. Back in those days, coming to the U.S. from South America was no easy task. Every applicant had to undergo a thorough moral assessment, answer several questions, and prove they had the financial means to cover the costs of the trip. People spent months preparing for their meetings and gathering the necessary documentation in the hopes of being granted passage to the promised land. If your application was denied, it could take months, sometimes years, before you’d be allowed to try again. Ugo showed up late, hungover, and clueless. The interviewer was the U.S. Ambassador to Argentina himself. Without exchanging pleasantries, the Ambassador began the screening process. Ugo failed to produce any of the required documentation and couldn’t answer any of the questions. Before ending the interview and sending the applicant on his way, the Ambassador asked one last question, and that was the one question Ugo was certain he knew the answer to.
“Why do you want to go to America?”
Ugo’s eyes lit up, his mouth widened into the beautiful smile only a dreamer has and he answered:
“I want to be a movie star!”
The Ambassador remained silent for a long time. He sat there looking at a young man with big dreams and very little sense. In a way, that was how the American dream had began a few centuries ago. That day Ugo was granted a green card and he has been living in Hollywood ever since.
It was the summer of ‘62, and Dick’s first time walking down Hollywood Boulevard. He had left San Francisco with a bitter taste in his mouth. ‘Too many beatniks’ he had told his live-in girlfriend one freezing summer evening. The next day he packed his bags and headed south for the resort town of Los Angeles. The bus ride was long and uncomfortable but when he stepped out of the Greyhound terminal into the LA summer air he felt like he had made the right choice.
Dick reached out to the few people he knew in town. He quickly learned the expression ‘Southern hospitality’ did not apply to Southern California. Fortunately, the Charles Dickens would have him. Truth be told, the Charles Dickens would have anyone brave enough to drag himself through the lobby doors. The room was small, making the bed very easy to find. He was exhausted, but the heat had other plans for him. The city came in through the open window loudly. For a moment he missed San Francisco, then he remembered the beatniks. His girlfriend, Rita, paid a visit to his mind next. She was probably sleeping through the cool night. He hated her. He hated her for being too selfish to quit her job, abandon her blind father, and follow him to the land of dreams. Most of all, he hated her because she was certainly sleeping with the window closed. He could never understand some people. The night came and went, hating this and that, and without major incidents. As the morning heat rose through the building, it became clear someone had committed suicide in the room next door. They did it quietly and respectfully, and if it wasn’t for the stench of rotting flesh the tortured soul might have gone unnoticed. The heat had no mercy for the living let alone the dead. But then again, for all he knew, the Charles Dickens always smelt that way. Escaping to the streets was the only sensible thing to do.
Continue reading Dick Goes to Hollywood →
Sooner or later everyone misses the rain. It just happens. You wake up one day alone in a strange town you’ve been living in for the past twenty years and are certain you don’t belong. The problem with the sun is that it makes it difficult to hide from others and yourself. I checked to see if the bag was still under the bed. It was. It wasn’t a dream. I pulled it out and stared at all that cash. It represented the dreams and aspirations of decent people I no longer cared for.
Clear skies. Waiting for darkness was not an option. I threw a few things on top of the money and headed out of town. Once the parking meters were no longer lining the sidewalk I knew I’d be in the clear, at least for a few hours. Rural America came up on me quick. I felt remorse for the smiles I had shared with the good people of the Clarkson Farmers Savings & Loans. It was only a matter of time before they would discover their colleague was a crook.
Continue reading Clear Skies →
This is the very first screenplay I wrote. It was optioned by Jason Lee and Scott Martin at Niva Films back in 2004. Like a lot of other work circulating around Hollywood, it remains unproduced.
Continue reading Another Story: The Screenplay →
One last paragraph.
“Elaborate prose has failed me.
Dishonestly I used it to appease the audience inside my head.
I wrote to impress and little for myself.
This pen, I lay down for the last time,
has been the sward that has kept the monsters away.
Unarmed I greet my fate with a smile.”
His eyes closed. The pen rolled along the table onto the floor.
Continue reading The Merry Way →
Here is the original screenplay for my film Noise Matters. This is the unedited version and includes the flashbacks of Dagobert as a child which ended up being removed from the shooting script.
Continue reading Noise Matters: The Screenplay →
I want to be free.
Desire, pain, sadness, greed, hatred, fear and the list goes on and on.
I need your help, your guidance.
You are wise. People everywhere say you are wise, they come to you for advice.
People are misguided.
Continue reading Chatting Up The Master →
Practical nonsense is the art of saving my life from ordinary detection.
Practice invisibility and start the first two with the same seven letters.
No one writes them anymore and yet we use them all the time.
Who is we? Me plus the imaginary monster at the scene of the crime.
Get everything you came here for. We are all cheering for you.
Thank you, I’ll waste the chances all by myself.
Apologies are in order for who I was and for who I am.
Victim of my own element of surprise.
There are too many alwayses in what I write.
Look, a rhyme.
Paragraph new and things look brighter.
Dinner is ready and steady and nice. Zeitgeist.
Fresh start. Political indoctrination, screens, figures and stage.
The conspirator always rings twice.